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・ Joseph Brain
・ Joseph Braithwaite (mayor)
・ Joseph Bramah
・ Joseph Braman House
・ Joseph Bramlett
・ Joseph Branch
・ Joseph Brand
・ Joseph Brand (biologist)
・ Joseph Brand (MP)
・ Joseph Brandreth
・ Joseph Brandt
・ Joseph Brannigan
・ Joseph Brannon Dooley
・ Joseph Blackburn
・ Joseph Blackburn (cricketer)
Joseph Blackburn (painter)
・ Joseph Blacklock
・ Joseph Blair
・ Joseph Blake
・ Joseph Blake (criminal)
・ Joseph Blake (governor)
・ Joseph Blake, 1st Baron Wallscourt
・ Joseph Blake, 3rd Baron Wallscourt
・ Joseph Blakesley
・ Joseph Blanc
・ Joseph Blanchard
・ Joseph Blanco White
・ Joseph Blandisi
・ Joseph Blatchford
・ Joseph Blenkinsopp


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Joseph Blackburn (painter) : ウィキペディア英語版
Joseph Blackburn (painter)

Joseph Blackburn, also known as Jonathan Blackburn, (d.1787) was an English portrait painter who worked mainly in Bermuda and in colonial America. His notable works include portraits of Hugh Jones (circa 1777) and Colonel Theodore Atkinson (circa 1760).
==Life and career==
He seems to have been the son of a painter, and to have had a studio in Boston in 1750-1765; among his patrons were many important early American families, including the Apthorps, Amorys, Bulfinches, Lowells, Ewings, Saltonstalls, Winthrops, Winslows and Otises of Boston. Blackburn spent time in Bermuda (1752–1753), Newport (1754), Boston (1755–1758), and Portsmouth (1758–1762). In late 1763 he returned to London and painted portraits in southwestern England, Wales, and Dublin between 1768 and 1777.〔(【引用サイトリンク】 title=Early American Artists, Worcester Art Museum )〕 Approximately one hundred fifty of Blackburn's portraits survive.〔 He excelled at painting textiles (i.e., representing the shimmer of silks, the texture of laces, and the folds of fabrics).〔
Some of his portraits are in the possession of the public library of Lexington, Massachusetts, and of the Massachusetts Historical Society, but most of them are privately owned and are scattered over the country, the majority being in Boston. One portrait, of Elizabeth Browne Rogers completed in 1761, is part of the permanent American art collection at Reynolda House Museum of American Art located in Winston-Salem, North Carolina.
John Singleton Copley was Blackburn's pupil, and it is said that he finally left his studio in Boston, through jealousy of Copley's superior success. His pictures were long attributed to Copley.

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